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Showing posts with label Slipknot. Show all posts
Showing posts with label Slipknot. Show all posts

Sunday, 4 January 2015

2015 Update

November December 2015 Update


 So you have probably noticed that this site has not been updated for the longest time for a multiple reasons but this post should detail some of the events that have happened since the start of October.

 Feed the Rhino @ Underworld 17/10/14

 In a week with three gigs and two consecutively, Feed the Rhino was definitely a stand out gig. Feed the Rhino were supported by a favorite of mine Baby Godzilla and Night Verses. Didn't take many pictures because it got quite rowdy quite quickly and it was a messy night in general resulting in a lost phone and a split knuckle. Nevertheless it was a good night and I would recommend keeping an eye out for Feed the Rhino live in the future.


.5 The Gray Chapter and Slipknot in general

 Since October, Slipknot released their first album is six years: a very eventful six years with the death of forming bassist Paul Gray and the departure of drummer Joey Jordison. Slipknot released singles up until the release that showed promise (especially The Negative One) but after a month with album I can safely say that it is as good as All Hope is Gone. .5 has some throwbacks like more samples and a darker feel but lacks the commitment to a heavier and rawer sound that was promised during the build up to the albums release, a lesson learned form Linkin Park no doubt. To reiterate, .5 is not a bad album by any stretch but it wasn't worth the hype.

New bands

 I haven't posted in a while so i have had a lot of time to regroup and discover a ton of new bands that stretch across genres that i can't wait to introduce to you in band and live reviews

Changes

 Now that I am juggling employment and studying I'm trying to create a new update timetable that I will be able to follow with ease so things might be changing with that soon so watch out for that.


Gigs I didn't write about because...

 So during my 'hiatus' i missed reviews for quite a large number of gigs which has annoyed me because i can't really remember them that vividly now that time has wandered on. To generalise, Hacktivist pulled off two great shows during their Download Frozen Over tour alongside The One Hundred and Dead Harts (although Dead Harts dropped out for the last few dates}. Crossfaith also put on a good show at the Koko Club in November which was recorded for a DVD release this year so keep an eye out for me in the pit.

Upcoming gigs

 After the can of sardines that was the last three months of 2014: 2015 shows no sign of being anything less then crammed, with at this early stage in the year a gig planned for every month. 


Apology?

 I apologise from the bottom of my heart for the past couple of months: everything decided to become urgent and needing of attention at the same time so i had to put this on hold for a while. Things are still quite hectic but I'll try to do what i can for now until something starts to give. So for now post will be thrown out as soon and as frequent as possible.

PS: I started writing this in November so further apologies if this post doesn't seem so fluent or smooth

Saturday, 12 July 2014

Classic Album Retrospect (Slipknot - Slipknot)

Slipknot - Slipknot


Slipknot - Slipknot
 The year was 1999 and Slipknot were making heads turn towards the noise they where making in Iowa. Slipknot had been making music for a while and sparked some attention with Mate, Feed, Kill, Repeat. (now that's an obscure reference) but Slipknot's self titled album sparked the most attention and ultimately lead to them being signed with Roadrunner Records. Slipknot was met with rave reviews with most critics complimenting the emotion instilled on the record and the natural, almost live sound to the album. 

 Slipknot was released in '99, making it 15 years old, has the album stood the test of time or is it dated and stale? 

Notable Tracks

 742617000027 - 742617000027 is the intro to the self titled album and is the shipping code for Slipknot's debut, Mate, Feed, Kill, Repeat. 742617000027 features dialogue taken from a Charles Manson documentary. The actual dialogue is "The Whole thing, I think, is sick" distorted and repeated to create a eerie and dark sound - a worthy intro to the destruction that is to follow.

 (sic) - "Here comes the pain" sums it up quite nicely. (sic) features the awesome drums from Joey Jordision throughout and the scary quite lyrics from Corey Taylor. In summary, (sic) is a valid representation of the rest of the album and I personally don't think it gets enough credit for that. The powerful lyrics "You can't kill me cuz I'm already inside you" finish the track with a final flurry of the turntables from Sid Wilson.

 Wait and Bleed - Wait and Bleed showcases Corey's more melodic vocal style without compromising on the brutality of the rest of the band. Wait and Bleed was the first single released from the album and subsequently had two music videos made for it; the first a live action live performance video and the second being completely stop motion animated.

 Surfacing - Surfacing is one hell of a track, so good it could be the new international anthem (now that's a reference). Building intros where every instrument is added separately is always effective but especially on this track. Surfacing combines (sic) with Wait and Bleed to create equal amounts of melody and destruction. Surfacing was released as the third single from the album.

 Spit it Out - Spit it Out was the second single from the album and features a video very reminiscent of Stanley Kubrick's The Shining. Spit it Out is one fast track and has an almost rap influence. Spit it Out played live is infamous as the band get the audience to crouch together and then "jump the fuck up" together which is always duplicated by other bands.

 After an intense playthrough, I conclude that Slipknot, fifteen years on, is still as intense and brutal as it was when it was first released. I can't say I am surprised by my findings since Slipknot's self titled won the best debut album in the last 25 years award from Metal Hammer Magazine in 2011 and is statically the best selling Slipknot album to date. This trend can be found in most bands from the 90s but Slipknot have managed to stand the test of time and are still prominent figures in the metal industry.

 For those who do not own the album, here is a peek at what you are missing. First released in 1999, Wait and Bleed has remained a popular track among fans and has two videos to accompany it but here is the first version, the live version. (linked here for mobile users) Enjoy