Album Review (Soulless Hymns - The Last Ten Seconds of Life)

Soulless Hymns - The Last Ten Seconds of Life

 Soulless Hymns is the third studio album from American deathcore band The Last Ten Seconds of Life. The Last Ten Seconds of Life are a deathcore band that shy away from the new norm of breakdown after breakdown and weak repeated lyrics and revitalise the genre with a slower and heavier tempo that works amazingly well. TLTSOL are a relatively young band, only releasing their first EP in 2010, but have secured their sound and a loyal fanbase. Soulless Hymns was released though Density Records

Notable Tracks

 The Box - The Box is the second track from the album and was early on through the Pig Squeals and Breakdowns Youtube page. The Box opens with a heavy and stuttery intro that leads into the whispered lyric "Think outside the box" that is repeated throughout the track well. The Box is superbly dark with vocals being whispered while the instrumentals blare muted in the background. The Box also has a eerie spoken audio sample that really progresses the track. The Box closes with a broken down version of the main riff and more scarily repeated lyrics.

 North of Corpus - North of Corpus directly follows The Box and increases the momentum the the previous track conjured. North of Corpus is a monster of a track and single-handedly demonstrates what deathcore can be (and should be). North of Corpus is strangely catchy with a range of different vocal styles being used and blended. The instrumentals on this track and really something special as they travel from brutal breakdowns to sweet riffs like nothing. North of Corpus is just down right a amazing track and is a must listen

 Ballad of the Butcher - Ballad of the Butcher is at the halfway mark of the album and still has more to offer. Ballad of the Butcher opens with an extremely fast intro and continues a faster pace thoughout. The tracks experiments with different vocal styles while still remaining true at its core, vocals on this track move between the forefront and background giving the track a good fluency

 Sacrifice (The Prince) - Sacrifice starts loud with a 90's nu metal riff and stays heavy until the halfway point. Sacrifice is the best of both worlds with awesome breakdowns at the starts then followed by a mellow soft vocal section then slides into an almost psychedelic guitar riff until the finish.

 After way too many plays of this album. Its more than clear that this album is spectacular and an absolute must listen. TLTSOL have clearly defined themselves sound-wise with their against the grain deathcore formula of precision and atmosphere over speed and breakdowns. I am personally quite new to deathcore but TLTSOL are a breath of fresh air inside the genre but make no mistake; this album will not convert someone to the genre, just display the genre to its full potential. A flawless album (now they just need to come over to the UK)

Album Review (Everything Will Be Alright In The End - Weezer)

Everything Will Be Aright In The End - Weezer

 Everything Will Be Alright In The End is possibly the longest album name on .DTF to date and is also the name of Weezer's ninth studio album. Weezer are an alternative rock band from the US that have been making music together since 1992. Weezer blend pop punk with rock to create a far superior breed of pop punk that has invaded the music scene in recent date. EWBAITE was released on the seventh of October through Republic Records.

 Notable Tracks

 Ain't Got Nobody - Ain't got nobody starts off the album with an eeiry dialogue sample which is swiftly followed by an incredibly loud bass guitar roar. The main melody builds throughout the track until it climaxes into its credibly catchy groove. The guitar work on this track help propel the tracks atmosphere as they wander from the beaten track just to show off. Surprisingly, Ain't Got Nobody has not been released as a single.

 Back to the Shack - Back to the Shack was the first single to be released from the album. Back to the Shack also starts with a bass intro but there is where the similarities end. Back to the Shack starts with an alternating vocal and bass section that evolves into the main melody of the song. Back to the Shack's vocals appear stripped back giving a simple and clean feel to the song.

 I've Had It Up To Here - I've Had It Up To Here begins with a stop start guitar riff that is built upon with the vocals throughout the track. This track is a return to a more familiar Weezer sound with far vocals and wandering guitars that feel surprisingly welcome despite the genre's constraints 

 Cleopatra - Cleopatra (unlike the same suggests) has a more country intro which soon swaps it's acoustic instruments for more electric ones. Cleopatra has a simple and upbeat tone that is hard not to smile at. Cleopatra's lyrics are obscure to say the least with the five times tables cropping up on more than one occasion.

 To wrap up, EWBAITE is a solid album and isn't bad by any stretch but generally lacks that killer track that more recent Weezer albums have relied on. EWBAITE definitely showcases some of Weezer's most adventurous guitar work to date. Give the album a listen, you might enjoy it.

 To finish, here is the music video for the first single from the album, Back to the Shack (video linked here for mobile users)

Album Review (Language - The Contortionist)

Language - The Contortionist

 Language is the third studio album from The Contortionist but the first album to feature Michael Lessard (of Last Chance to Reason) as the vocalist. The Contortionist are a progressive metal band from Indianapolis, The Contortionist formed in '07 and have swiftly found recognition for their atmospheric and experimental sound. The Contortionist are currently signed with E1 records.

 Notable Tracks

 Language I: Intuition - Intuition is the first single released from the album and with good reason. Intuition opens with a soft guitar riff that builds steadily with added percussion and backing rhythm. At the 1:15 mark the track explodes into its full potential with vocals and more percussion. The vocal style used utilizes layers with a harsh background layer with a more melodic layer on top. Towards the 4:15 the track gets a lot heavier with a slow breakdown and harder riff, the tempo slowly increases from this point until the track ends and leads into the second part.

 Language II: Conspire - Conspire is the second and heavier part of the Language two-piece. Conspire opens with some heavily palm muted notes and slowly builds into a deep melody. Conspire features a more prominent harsh vocal style throughout and overall just heavier approach towards the start. At the 2:45 mark the vocals mellow into a more melodic style that compliment the instrumentals well. Towards the end of the track the layers build and build until they dissipate for the finish.    

 Integration - Unlike the mathematical function, Integration is far from boring and tedious. Integration starts with a funky keyboard intro with a slowly build bass line. Guitars are added to the mix. At the minute mark the vocals kick in with a melodic tone, the vocals on this track are echoed at times adding immensely to the atmosphere of the track. The bass line from the intro continues throughout the track while the other instrumentals evolve around in. Towards 3:45 the track get a lot heavier with the volume being thrown up to max and the vocals getting a load more deeper. 

 Primordial Sound - Primordial Sound is the second single from the album. Primordial Sounds starts immediately vocals that soon stop and make way for a purely dynamic instrumental. After a minute vocals begin again  for a short time before they stop again. The main riff for the track sounds more like a scale with an inquisitive tone to it. Towards 3:15 the vocals take a more death metal style that works surprisingly well, the vocals soon return back to a more melodic tone. Leading up to the finish of the track, it take a more sci-fi sound with cosmic like sounds until it slowly fades out.

 Arise - Arise starts more like a rock take with vocals and audible lyrics, the main riff for this track is complex and sounds awesome and is impossible not to close your eyes to it for the first time it enters your ears. Arise takes an overall faster pace than previous tracks that adds to the diversity on the album. At 2:30 the track gets heavier with the harsher vocals on the album yet and a schizophrenic guitar riff to match. Arise is a relatively short track compared to the runtimes of other tracks on the album but still manages to squeeze in the familiar Contortionist complexity

 After more than a few playthroughs, it is clear to see the Language is a contender for best album of the year. Language is immensely atmospheric but each track is unique enough to be told apart. Each track is incredibly detailed, so much so that every listen through a notice a different instrument in the mix. If you are thinking about buying this album then don't hesitate in doing so because this album is truly awesome or for more dramatic effect, inspires awe.

 To round off, here is the video for the first single from the album, Language I: Intuition (video linked here for mobile users)

   

Classic Album Retrospect (Body Count - Body Count)

Body Count - Body Count

 Body Count was the first album from Ice T's thrash metal band of the same name. Originally released in 1992, Body Count was the center of controversy due to the track Cop Killer and was subsequently removed in later releases. The album focuses on social issues but primarily the issue of police brutality. At release, Body Count received mixed reviews and peaked at #26 in the Billboard 200. Body Count was released through Warner Bros. records.

 Notable Tracks

 Body Count - Body Count starts off with a stripped down acoustic guitar with some spoken word about the depiction of the police in other media. After a minute the track explodes into a its full potential with alternating vocal and instruments sections. This track stands out because of its almost live tone; Ice T addresses other band members directly making for a fun listening experience.

 Voodoo - Voodoo is featured towards the halfway mark of the album and depicts the (probably fictional) story of Ice T's encounter with a witch doctor in New Orleans. The track feature two main riffs that alternate between verses adding to the story telling element immensely. The story in Voodoo is continued in Body Counts latest album on the track Black Voodoo Sex.

 The Winner Loses - The Winner Loses is a more serious track compared to the others on the album. The Winner Loses is a ballad about a friend that abuse drugs and his eventual demise. The Winner Loses feature two distinct riffs with different styles adding to the progression and narrative of the track. The Winner Loses also features backing vocals that compliment Ice T well and adds a more somber tone to the track.

 There Goes The Neighborhood - There Goes The Neighborhood was the only single released from the album and represents Body Count's invasion of the rock scene. The track fights back at stereotyping in the music scene. TGTN features an awesome drum solo that showcases Body Count's skill.

 Cop Killer - Cop Killer was the source of the album controversy at release mainly due to its themes. Cop Killer comes after a thirty second intro where Ice T says he shoots pigs in a parking lot. The actual record is quite good, The track feature samples of firing guns to add to the overall theme of the track as well as the use of named examples such as Rodney King.

 After a couple of playthroughs, Body Count is still quite a solid album and if anything quite avant-garde of the year it was released. In recent years, rap and metal have had quite the relationship and are sprouting love children left, right and center. With the inclusion of intermissions throughout the album, the album remains refreshing and immersive. (check out our review of Body Count's latest album Manslaughter here)

 To finish off, here is the video (that features the censored lyric) that accompanied the single from the album, There Goes The Neighborhood (Video linked here for mobile users)

Album Review (Doom Philosophy - Sorrows Path)

Doom Philosophy - Sorrows Path

 Sorrows Path are a doom metal band band from Greece. Sorrows Path formed back in '93 and have steadily released material throughout the 00s. Doom Philosophy is Sorrows Path's second full length album next to 2006's The Rough Path of Nihilism. Doom Philosophy was released through Iron Shield Records on the twelfth of September.

 Notable Tracks 

 Tragedy - Tragedy stats off the album well with a power metal spin on the doom genre. Tragedy features a solo performed by Edgar Rivera from Solitude Aeturnus. Tragedy has more of a power metal vibe as Tragedy's tempo is not slow and also lacking in a dark atmosphere.

 Everything Can Change - Eveything Can Change is the second track to feature a guest musician, this time Snowy Shaw from King Diamond and Merciful Fate sings a duet with Sorrows Path vocalist Angelos Loannidis. Everything Can Change makes up for the lack of atmosphere in Tragedy with a slower tempo and layered vocals.

 The Venus and the Moon - The Venus and the Moon take a more power metal approach than previous tracks. TVATM feature echoed vocals in a high pitch blending both power and doom metal elements in equal parts. TVATM finishes how it starts with little progression

 Epoasis - Epoasis is featured lower down the track listing but has a music video to boot. Epoasis is possibly the star track of the album featuring multiple vocal styles and a catchy riff. Vocals and instrumentals are mixed so that they are on the same level giving the track character and a nostalgic sound. Epoasis progresses extremely well creating a journey inside the music.

 In conclusion, Doom Philosophy is best described as a game of Russian Roulette with one in the chamber; you expect to be blown away but more times than not you are left with just a click. The analogical bullet in this case is Epoasis, Epoasis carries the rest of the album's weight and saves the album from being unlistenable. If you were thinking about buying this album, I would reccomend buying Epoasis as a single and leaving it at that.

 To wrap up, here is the music video for the savior track, Epoasis (video linked here for mobile users)

Classic Album Retrospect (Peace Sells... But Who's Buying - Megadeth)

Peace Sells... But Who's Buying? - Megadeth

 Peace Sells... is the second is the second studio album from classic thrash/heavy metal band Megadeth. The album was originally released in '86 but has since seen multiple re-releases and re-masterings by different producers. The album sold reasonably well and consequently has received a platinum rating in both the US and Canada and a silver rating in the UK. At release the album was met with average reviews with the average score received a three out of five.

 Does peace still sell, lets find out.

 Notable Tracks

 Wake Up Dead - Wake up Dead is the first track from the album but is definitely not a throwaway track. Wake Up Dead progresses extremely well with its short runtime. Wake Up Dead features a good balance of solos and vocals to create a strong first track to start.

 Peace Sells - Peace Sells is the title track of the album and was the second single from the album. Peace Sells features politically driven lyrics on top of a catchy as hell bassline. Peace Sells also evolves well as the vocal style changes as the song progresses from a spoken word to a hard driven aware thrash track. 

 Good Mourning / Black Friday - Good Mourning is the instrumental intro to Black Friday, Good Mourning is fast paced instrumental with a desert trek tone to it. Good Mourning leads into the track Black Friday which is equally as fast as the intro. Black Friday has a very distinct mix where vocals and instrumentals are on the same level making for a real thrash feel. 

 I Ain't Superstitious - I Ain't Superstitious is the penultimate track on the original track listing and takes a different tone entirely compared to the earlier tracks in the track list. I Ain't Superstitious was originally performed by Howlin' Wolf twenty years prior but still manages to keep the song alive by sounding very different to the original.

 In Conclusion, Peace Sells... is still a solid album, although most thrash bands from the period have died out or evolved into different genres; Megadeth still try to create a good album. Peace Sells is still the most relevant track on the listing with politically driven lyrics but other tracks from the album are still a joy to listen to.

 To finish, here is the music video for the second single from the album, Peace Sells (video linked here for mobile users)

Album Review (Nyemba - Skinflint)

Nyemba - Skinflint

 Skinflint are quite the obscure band; hailing from Botswana, Skinflint are a three piece metal outfit offering a classic style of metal. The band has been around since 2006  and in that time they have released four full length albums including two singles with music videos to match. Nyemba is an independent release and was released on the sixth of September.

Notable Tracks

 Veya - Veya is the first track from the album an showcases each instrument's style. Veya features an extremely high pitch solo from the lead guitar and throughout the drums and bass line shine through. Veya has quite a nostalgic feel to it (and most of the track from the album too) that can be compared to early maiden material, a major compliment.

 Okove - Okove starts with a slower and more somber tone but builds with an alternating bass and lead intro. Okove also features plenty of solo guitar sections that help to progress the song well, defining a clear start and finish. 

 Abiku - Abiku takes what Okove did well and does is just as well. Abiku also starts with a complimenting bass and lead alternating intro that works its way into the main riff well. Being the shortest track on the album, Abiku surprisingly still manages to conjure up the time to feature a solid instrumental section.

 Sinkinda - Sinkinda begins with an almost acoustic intro that makes for a calm resting place from the rest of the album. The intro builds well with a sweet lead guitar riff in the background. The intro soon dissipates and becomes more electric with a jumpy bass line. Sinkinda features very little vocal work and a lot of tight guitar and bass work which adds to the variety of the album.

 Nyemba isn't a bad album by any stretch and features some really tight riffs and that use the bass and drums well but all in all Nyemba offers nothing new. Nyemba's song's have the tendency to blend into one due to similar vocal styles throughout each track. To summarize, Nyemba is worth a listen albeit just for the guitar work and for bragging rights that you have heard metal from Botswana. 

Classic Album Retrospect (The Black Album - Metallica)

The Black Album - Metallica

 The Black album (or sometimes known as just simply Metallica) is the fifth studio album from metal legends Metallica. The Black Album was released in the August of '91 and reached number one in eight weekly charts - including the UK and the US. The Black Album is the best selling Metallica album to date and is listed as one of the greatest albums of all time by Rolling Stone. The Black Album sees a change from the harsher thrash sound to a more metal/hard rock sound. The Black Album has sold over 30 million copies worldwide and is certified platinum or above in sixteen countries including a fourteen times Platinum rating in the US.

 But all those accolades were over twenty years ago. The true test is if thee album stands up today. 

Notable Tracks

 Enter Sandman - Enter Sandman starts off the record with a bang. Enter Sandman starts off with that unforgettable riff that builds for a whole minute. Enter Sandman features some fine guitar solos between verses as well as different vocal styles. Enter Sandman progresses well due to changes in tone. The track ends with a slow fade out with the repeated lyric "we're off to never never land" in a distorted voice that adds to the track personality immensely.

 Sad But True - Sad But True takes a heavier approach than the previous with a down tuned riff that lasts the whole track. Sad But True makes good use of silence throughout  the track adding to the suspense and tone of the track. The most important part of this track is the drums, the drums take a top spot in this track for the way they shine through the guitars. Sad But True was used as the backing track for Kid Rock's track American Badass.

 The Unforgiven - The Unforgiven starts with a stripped down acoustic intro that is build upon with hard hitting drums and electric guitars. The track soon becomes fully electric and only returns to the acoustic style for the bridges and solos. The Unforgiven features the most powerful solos on the record switching between electric and acoustic styles. In later albums, The Unforgiven has seen a second and third part.

 Wherever I May Roam - Wherever I May Roam starts with the most memorable intro with an almost Arabian feel. Wherever I May Roam  features plenty of high pitched guitars throughout making the track a good medium between hard rock and metal. 

 Nothing Else Matters - Nothing Else Matters also starts with some beautiful acoustic guitar work that works its way into the backing throughout the track. Nothing Else Mattters is a stripped down ballad that offers some beautiful guitar work that appeals to both metal and hard rock fans. 

 After a few spins the conclusion is clear, The Black Album is still quite relevant. The album offers enough variety to stay fresh but is still fluid and fluent. The only point that reveals the album's age is the average runtime of each track at about five minutes. Other than this, the album is still fresh and I would and still do happily listen to this album on the regular.

 To conclude, here is the music video for the first single from the album, Enter Sandman (video linked here for mobile users)

 

 

Album Review (Subculture EP - The One Hundred)

Subculture EP - The One Hundred

 Subculture EP is the debut release from rap/metalcore/grime/electronica quartet The One Hundred. The One Hundred have been playing gigs and teasing this release extensively for some time as well as an Iggy Azalea cover released this month. We at DotDownTheFront released a Band Review for these guys earlier this month so check that out here for more info and links to their social media. Subculture EP was released through UNFD.

Notable Tracks

 Breed - Breed starts with a bass heavy metalcore intro and the electronic elements are added to the backing. Breed also features double layer vocals that give the track a complex and schizo tone. Instruments and electronics share the limelight as instruments and electronics alternate adding to the ferocity of the track. Live, this song will kick arse.

 Kingsmen - Opening with some electronica straight from sci-fi show, Kingsmen builds from the start adding each genre subtly until it explodes into one. Kingsmen features harsh primary vocals and harmonized vocals in the backing that compliment each other well. Kingsmen is complex and shows the band's potential and paths for future releases. 

 Unleashed - Opening as if it was this summers dance anthem. Unleashed unleashes its energy with distorted clean and harsh vocals and an infectious rhythm. Unleashed progresses well with a clear start and finish. Unleashed is the perfect track for the tent at a festival. 

 Tale of Two Cities - Tale of Two Cities is a no holds barred track and jumps straight into the raw energy. Tale of Two Cities is the rap heaviest track from the EP but still manages to fit a small instrumental in. The track's chorus is by far the catchiest as the instruments drop for a group vocal on the hook.  

 Downfall - The final track from the EP will definitely leave a bruise. Downfall starts with a low pitched electronic section and builds to fast and catchy chorus that will literally leave you saying "downfall" out load for hours. Towards the end of the track, the electronica builds for an awesome and abrupt ending that adds ti the attitude of the EP.

 Buy this EP now! Subculture EP offers a taste of everything with each track having a clear and defined purpose and genre influence. The One Hundred take the best bit from each alternative genre and blends it together to create what can only be described as superior. At £3.99 for six tracks, this is a steal for music of this quality. Without a doubt 2014/2015 will be the year for The One Hundred. (Watch this space for a live review coming winter time) 

 To wrap things up, here is the music video for The One Hundred's cover of Iggy Azalea's Black Widow (video linked here for mobile users)

  

Classic Album Retrospect (Dirt - Alice in Chains)

Dirt - Alice in Chains

 Dirt was the second studio album released by grunge band Alice in Chains. Dirt was originally released in 1992 and peaked at #6 on the Billboard 200. The album has an heavy emotional theme, focusing on subjects like drugs, war and depression, critics and fans liked this and the album has sold over five million copies thus making it four times platinum certified. Dirt was the last album to feature the original lineup (Staley, Cantrell, Starr and Kinney) as Starr would be outed for drug abuse in 1993. Dirt is the album that defines the band's sound.

 But all that good stuff was nigh on twenty years ago, does the album still hold up today? Lets give it a spin and find out.

Notable Tracks

 Them Bones - Them Bones is the first track and second single from the record and features the most recognisable vocal style from the album. Them Bones see vocalist Staley distorted effects on a scream that is truly unique to Alice in Chains. Them Bones has a slow and low guitar riff that builds during the choruses. Them Bones sets the tone for the rest of the album.   

 Dam That River - Dam That River directly follows Them Bones on the track list but takes a very different approach. Dam That River is faster and has a more hard rock tone. The track features a short solo near the two minute mark which is uncommon on most grunge tracks. 

 Rooster - Rooster is featured at the halfway mark of the album and reverts back to a slow, sombre tone. With a deep bass line and longed vocals, Rooster is truly a grungy track. At a massive 6:14, Rooster does all it can in its power to stay fresh with ornamented vocals and guitar flairs throughout. Rooster was released as a single in the march of '93.

 Down in a Hole - Normally these bullet lists are in track list order but Down in a Hole likes to jump about on every re-release so it is here in twelfth. Down in a Hole starts off with a peaceful humming while the guitar stir into life. Down in a Hole's lyrics focus on addiction and relationships with drugs making for a deep and meaningful track. 

 Would? - Would? is the final track on the record but was the first single released. Would? starts like a nu metal track but soon blends into a ominous riff. Would? also features a short solo near the two minute mark which adds to the personality of the track. Would?'s lyrics focus on the death of Andrew Wood (Leader singer of alternative rock band Mother Love Bone) and other musicians who have died ass a result of drugs. (brutally ironic?) 

 After a day of listening and re-listening, Dirt has aged well but is still audibly old as most grunge has died out on the music scene. Tracks like Rooster and Down in a Hole have aged the most solely due to their length but are still enjoyable to listen to, while tracks like Would? and Them Bones still hold up well as they are shorter and to the point with a lot of accessibility. Alice in Chains are still around today, albeit with a different vocalist, and appeared at this year's Sonisphere festival and last year's Download festival.

 To wrap up, here is the music video for Would, released on June 7th 1992 (video linked here for mobile users)

     

Album Review (Maximum Overload - DragonForce)

Maximum Overload - DragonForce

 Maximum Overload is the Sixth studio album from British power metal outfit DragonForce. DragonForce formed in 1999 and have since released six studio albums and a live album. DragonForce produce a unique flavour of power metal that relies on electronic sounds and breakneck speeds. Maximum Overload was released through earMUSIC in Europe and Metal Blade in the US.

Notable Tracks

 The Game - The Game is the opening track for Maximum Overload and it opens the record in style. The Game is the fastest track performed by the band at a staggering 240 bpm. Alongside this feat, the track also features additional vocals from Trivium's vocalist Matt Heafy (who also provided vocals for last weeks album review). The Game was the first single to be released from the album and has been met with flawless reviews from both critics and fans alike.

 Symphony of the Night - Symphony of the Night sees DragonForce pay homage to their influences in the video game realm. Symphony of the Night could be compared to the Castlevania series of game through the songs lyrics and guitar sounds. Symphony of the Night progresses well to keep the listener's head nodding and full of euphoria. Symphony of the Night features the longest guitar solos on the album and is impossible not to imitate on your air guitar     

 The Sun is Dead - The Sun is Dead is featured further down the tracklist but is still an experience to listen to. The Sun is Dead is more classic DragonForce with the main focus being on the instruments and not the vocals. Marc Hudson's vocals are emphasized with backing vocals from a choir; giving the song an epic vibe to it. The Sun is Dead is the longest track from the album standing at 6:35.

 Defenders - Defenders follows The Sun is Dead on the tracklist and keeps it's vibe going. Defenders was the second single to be released from the album and also features additional vocals from Matt Heafy. Defenders has an unusually catchy chorus but the song comes into its own at the 3 minute mark where the instruments and stripped back to the bare bones: this is swiftly balance out with a technically superb guitar flair.

 Ring of Fire - Ring of Fire is the third single to be released from the album and is a cover of the classic from Johnny Cash. DragonForce re-imagine the song the only way they can; with high pitched dual guitars. DragonForce's take of the classic is a minute longer than the original to make room for a solo (that fits in surprisingly well)

 To sum it all up, Maximum Overload is an epic album in all senses of the word. Long solos and high pitched vocals the whole album an epic vibe and make the listener want to ride off into the sunset on a unicorn with a double head axe. With ten tracks with an average run-length of five minutes; the long solos are dedicated to certain tracks while others are aimed at newer audiences. Everything about this album is quick apart from your attention span listening to it. 

 To finish off, here is the video for the first single released from the album, The Game (video linked here for mobile users)

 

Classic Album Retrospect (Reign in Blood - Slayer)

Reign in Blood - Slayer

 Reign in Blood was the third studio album from American thrash metal gods Slayer (and possibly the most loyal member of the Big Four). Originally released in 1986 through Def Jam Recordings, Reign in Blood was the first slayer record to enter the Billboard 200; debuting at #127 and peaking later at #94. Due to it dark themes and overall genre, Reign in Blood received zero radio play at the time but is still crowned as the defining album from Slayer. Reign in Blood was met with rave reviews from both underground and mainstream critics. Alongside this, Reign in Blood is certified Gold in the US.

 All these accolade are all well and good but does the album still hold up today? Let's find out.

Notable Tracks 

 Angel of Death - Angel of Death is the first track from the record and starts with style. Angel of Death is undoubtedly the most recognizable Slayer track purely because of the scream used in the intro. Angel of Death's lyrics are about the experiments performed by Josef Mengele in the Auschwitz Concentration Camps and ultimately lead to accusations that Slayer were Nazi sympathizers. Angel of Death is a fan favorite for good reason,    
 Necrophobic - Is the shortest track from the record at only 1:41 but still holds a lot of material. Necrophobic starts at a breakneck speed and only slows to lead the listen into a false sense of security. Necrophobic features gory lyrics and an awesome thrashy solo to complete a bite-size package of Slayer action.

 Jesus Saves - Jesus Saves starts a lot slower than you would expect a Slayer track to but slowly builds for some crazy thrash. Jesus Saves stands at less than three minutes but still has the guts to cram in three solos alongside some hard hitting lyrics. Jesus Saves is rarely played live but would guarantee a killer pit. 

 Postmortem - Postmortem is featured towards the end of the record but isn't any less crazy than previous tracks. Postmortem takes a slower pace which adds a lot to the atmosphere of the track. Postmotem picks up the pace towards the end for a final flurry and adds the lone and powerful lyric "Do you want to die?". After the vocals finish the track ends suddenly for a final surprise.

 Raining Blood - Postmortem ends and the iconic rain begins to play and with a smash of thunder the guitars roar into life. Raining Blood focuses on Hanneman's and King's guitar work with good reason, because its immense. Raining Blood builds constantly until it's a steamy hot mess of guitars and drums. Thunder and the rain continues, Raining Blood ends how it begins.

 After a few headbanging filled playthroughs, Reign in Blood has definitely aged well and still holds the intensity it did when it was first released back in the 80s. Reign in Blood only seems old in the sense that now thrash band of today could match that ferocity. Although Slayer may be growing older they still know how to put on a great show live as demonstrated at Sonisphere this year (live review here).

Album Review (The World Is My Enemy Now - Upon a Burning Body)

Album Review (The World Is My Enemy Now - Upon a Burning Body)

 The World Is My Enemy Now is the third studio album from American deathcore four piece Upon a Burning Body. Upon a Burning Body have been around since 2005 and have shown off their flair in live shows and thus built a loyal fan base. Although a deathcore outfit, Upon a Burning Body don't compromise melody for severity. The World Is My Enemy Now was released through Sumerian Records.

Notable Tracks

 Red Razor Wrists - Red Razor Wrists begins the record with a bang. Red Razor Wrists keeps the heavy tone going throughout the track breaking occasionally for the surprisingly tuneful and catchy hook. Red Razor Wrist is the second single released from the album and has already been played live; this track is soon to be a fan favourite.

 Fountain of Wishes - Fountain of Wishes starts off slower than Red Razor Wrists but is just as heavy. With a slower and more pressing tone, Fountain of Wishes is impossible to listen to without banging your head. Ending with a heavy breakdown with the repeated lyric "One more coin in the Fountain of Wishes" makes for a truly mind-blowingly brutal track.

 Pledge Your Allegiance - Pledge Your Allegiance starts with a slow pace but quickly speeds up for the verses and slows for the choruses. Pledge Your Allegiance is the catchiest track from the record which is surprising for a song with so much hate. 

 Blood, Sweat and Tears - Blood, Sweat and Tears is featured towards the end of the tracklist but definitely holds its own. Blood, Sweat and Tears features additional vocals from Matt Heafy of Trivium which sounds odd in theory but is executed perfectly in reality. Heafy's clean vocals compliment Leal's growls nicely.

 To outline, if you asked "Should I buy this album?" I would probably answer "If you want". Not to be too critical but The World Is My Enemy Now offers nothing new and after a few looped playthroughs; it's hard to distinguish between track. The album shows potential with tracks like Blood, Sweat and Tears and Middle Finger to The World but apart from this, the other tracks are quite samey and generic. Previous Upon a Burning Body albums had themed track names (The World is Ours had tracks named after Al Pacino films and Red. White. Green. had tracks named after Robert Rodriguez films) but The World Is My Enemy Now forgets this quirky tradition. 

 To finish up, here is a video of Red Razor Wrists being played live at this year's Mayhem Festival (linked here for mobile users)

Classic Album Retrospect (Iron Maiden - Iron Maiden)

Iron Maiden - Iron Maiden 

 Iron Maiden is the debut album from British demigods of Metal Iron Maiden. Iron Maiden was first released in the February of 1980 but was re-released and remastered in 1998. At its original the album peaked at forth with the two singles, Running Free and Sanctuary, peaking at thirty-forth and twenty-ninth respectively. At its release, the album was met with instant critical acclaim receiving positive reviews; more recently the album was added to the "Albums you must hear before you die" list alongside the later release of Number of the Beast. Iron Maiden is certified platinum in both the UK and Canada as well as gold in Germany.

 The real question is, has the album stood the test of time? Let's find out.

Notable Tracks

 Prowler - Prowler is the first track from the first side and starts the record with style. Starting with a muted riff which is built upon by more riffs and topped off with some undoubtedly cool vocals and lyrics. Prowler is quite fast paced but still progresses well. Near the two minute mark the song comes alive with an awesome bridge that build with each instrument added individually. A deserving first track and could have been a single in its own right.

 Sanctuary - Sanctuary is the second single from the album but originally was only included on the American release. Sanctuary has a similar sound to Prowler but has a more hard rock feel to it which is helped by the theme of the lyrics. Sanctuary also features an audio sample of a police siren which adds a lot of personality and attitude to the track. Sanctuary finishes in style with a riff that increases in pitch until a flared ending.

 Remember Tomorrow - Remember Tomorrow takes a different angle than the previous two tracks and has a more somber and mellow feel. Remember Tomorrow is more vocally driven with some pitched screams that compliment the instruments well. Toward the two and a half minute mark that song breaks into some crazy guitar that calms to revisit the feel of the beginning of the track. 

 Running Free - Running Free is the first single taken from Iron Maiden and with good reason. Running Free takes the same approach as Sanctuary but builds upon it. Running Free features some backing vocals during the chorus that is surprisingly catchy for a metal track.    

 Phantom of the Opera - It is rare that a band acknowledges their debut material; let alone debut material that wasn't released as a single. Despite this, Phantom of the Opera is still one of the most recognizable Iron Maiden riffs out there. Phantom of the Opera is the longest track on the album so has plenty of time to progress and establish itself. The vocals on this track seem to flow with the guitars which is quintessential to keeping a long track entertaining. 

 After a few intense playthroughs, Iron Maiden stands the test of time in most places. The tracks from the A-side (Prowler, Running Free, Remember Tomorrow, Phantom of the Opera) and Sanctuary all stand the test of time reasonably well but on the other hand, the B-side (Transylvania, Strange World, Charlotte the Harlot, Iron Maiden) are quite dated; especially with the use of a completely instrumental track. Despite the B-side, Iron Maiden as a band has done more than enough to solidify their place in the metal hall of fame. (Even though they don't tour in the UK as much as they should)   

Album Review (Origins - Eluveitie)

Origins - Eluveitie

 Origins is the sixth studio album from Swiss folk metal band Eluveitie (Bonus points for spelling it right). Eluveitie have been around since 2002 and in that time have released six studio albums. Eluveitie's sound features instruments that are very rare on a metal album such as hurdy gurdies, Bagpipes and at one stage an Irish bouzouki. Although classified as folk metal; Eluveitie use harsh vocal styles and heavy riffs.

Notable Tracks 

 The Nameless - The Nameless opens the album after the intro with some familiar Eluveitie sounds, speedy drums and violins. The harsh vocals compliment the instrumentals well but the song comes into its own during the bridges; where the vocals stop and the instruments build together. The track also features spoken audio samples from the intro which adds to the fluency of the album.

 Celtos - Celtos sees vocals provided by both main vocalists as well as some violin action. Celtos begins with a hurdy gurdy intro which builds to brutal vocals from Chrigel complimented nicely by backing vocals from Anna. The chorus parts of the track are extremely melodic and focus more on instrumentals which is a nice authentic touch.

 The Call of the Mountains - The Call of the Mountains is a stand out track on the record as the vocals are only provided by Anna making for a melodic and gentle track. TCOTM is a stripped back track but still has enough folk influencing to be welcome on the album. The track ends in style with a fading chant that add to the beauty of the track.

 Sucellos - Sucellos follows directly after TCOTM starts with a heavy guitar riff and doubled stepped drums which build continuously until they burst into folky melody. Sucellos is the polar opposite to TCOTM as the track focuses more on brutal vocals and harsh riffs. The tracks also features audio samples faintly in the background which give the track an almost industrial feel.

 King - King is the first single released from the album and is quite brutal. King is quite diverse with power metal style riffs during the chorus, real death metal vocals given through out and folk metal everywhere else. Although starting melodically and descending into harsh vocals; King returns to the melodic side towards the end in a beautiful vocal harmonic which adds to the songs personality tremendously.

 To sum up, if you are thinking about buying Origins, you won't be wasting your money: The album stands at 16 tracks (12 if you don't count the "intermezzo"s or intro and outro) so you definitely will be getting your money's worth. I know from experience that most heavy music fans find folk metal hard to get into but Eluveitie add enough styles to encourage said fans. A harsh and brutal album but enough beauty to set it apart from others.

 To end, here is the music video for the second single from the album; The Call of the Mountains. (video linked here for mobile users)

Classic Album Retrospect (Black Sabbath - Black Sabbath)

Black Sabbath - Black Sabbath

 Black Sabbath is debut album from the British metal powerhouse of the same name. Black Sabbath was first released in February of 1970; the same year as Black Sabbath's second album Paranoid. When the album was released it reached eighth on the UK album charts and twenty-third place on the Billboard Charts in the US. Although the album was originally slated by music critics; Black Sabbath have gone on to cement their name in Metal History and are credited with the title of "Original Heavy Metal Band". Black Sabbath was released through Vertigo Records.

 Black Sabbath was released forty-four years ago so the question stands. Does Black Sabbath still stand up today? Lets find out

Notable Tracks

 Black Sabbath - Black Sabbath starts the record with style with the eerie rainstorm intro which fades into an thunderous riff. The track has an epic feel although it only stands at 6:20. Black Sabbath starts with a slow and almost scary first section and then explodes into a fast and well executed guitar and drum medley to finish.

 The Wizard - The Wizard directly follows Black Sabbath on the track listing but takes a different approach entirely. Away from Black Sabbath's slow and eerie sound; The Wizard takes a more bluesy angle with a harmonica intro with a slight touch of guitar. The songs subject is about the bands drug dealer at the time which is shown in the song's progression  

 N.I.B. - N.I.B. starts with an awesome bass solo (named bassically) which fades out for the main riff and vocal delivery to be blasted up. The title was debated to mean Nativity In Black but was dismissed later to have been a reference to Bill Ward's beard. N.I.B. stands at 6:08 but still manages to add a lot of progression in the shape of solos and bridges.   

 Evil Woman - Evil Woman is the first track taken from the then B-side of the record. Evil Woman is a cover of a track by the same name by a hard rock band named Crow. Evil Woman takes a step back from the metal sound and has a more hard rock sound instead.

 Sleeping Village - Sleeping Village starts with a guitar scale with an almost didgeridoo sound in the background. Sleeping Village sees a return of the style used in the title track with a slow pacing. At the one minute mark the song changes direct to a more upbeat and rocky pacing and tone which lasts the rest of the track.

 To summarise, Black Sabbath definitely sounds like it was recorded forty-four years ago and has some dated features and editing mishaps but together they add to the personality of the album. Black Sabbath holds its own in places but some tracks have decayed with time and just don't hold the attention they used to. As a band, Black Sabbath are still going in their old age with a headline slot at Hyde Park this year supported by younger bands that were no doubt inspired by Black Sabbath. Although aged in places, Black Sabbath's debut and maybe more so their second album has cemented their place in the metal hall of fame.

 [Side note - Apologies for the delay of this post, my ISP is being unreliable at the moment but watch this space for another post today]

Album Review (Sunset on the Golden Age - Alestorm)

Album Review (Sunset on the Golden Age - Alestorm)

 Sunset in the Golden Age is the long awaited fourth studio album from Scottish "pirate metal" band Alestorm. Formerly known as Battleheart, Alestorm have been exploring their own brand of metal since 2004. We at DotDownTheFront released a Band Review for Alestorm back in July so check that out here for more info. Sunset on the Golden Age was released through Napalm Records on the first of August.

Notable Tracks 

 Walk the Plank - Walk the Plank opens the record with the recognisable sound of Alestorm, noble trumpets and awesome guitars. Walk the Plank see Bowes mix clean vocals with growls similar to those featured on previous track Death Throes of the Terror Squid. Alongside this, Walk the Plank also feature more 8 bit backing which has been visually prominent in stage shows but not so much in the music. A positive evolution. 

 Drink - Drink is the first single released from the album and immediately after Walk the Plank. Drink starts with a surprisingly heavy riff but soon descends into the style Alestorm are known for, catchy lyrics and funky riffs. I can see this track becoming a fan favourite fast because of it's lyrics and fast changes from fun to heavy.

 1741 (The Battle of Cartagena) - 1741 opens up with an 8-bit intro that really adds to the personality of the whole album. 1741 stands at 7:18 (only the second longest track on the album) so has plenty of time for long epic solos which add some nostalgia to the album. The song is based on the story of the battle of Catagena where an outnumbered Spain defended modern day Colombia from the British Navy.

 Hangover - Hangover is a metal cover of 2012's song by RnB singer Taio Cruz and the second single from the album. Although from a different genre, Hangover's theme fits in well on the album. Alestorm manage to add some noble tunes in the back adding their on stamp on the song. I can see this also becoming a live favourite which may look weird to a veteran RnB fan.

 Sunset on the Golden Age - Sunset on the Golden Age is the final track on the record and stands at an epic 11:26. SOTGA makes way for plenty of adventure suitable riffs and chants. As the title track, SOTGA sums up the message of the album and makes for a good close to an epic album.

 To conclude, Sunset on the Golden Age is a great album and has very little flaws, a definite pick up for anyone that is curious about the band. I feel that Alestorm have limited themselves on the title of the album but i felt the same about Back Through Time. The increased use of 8-bit style sounds are a welcome addition and add to the bands evolution and overall persona. Alestorm have announced that they will be touring in October to watch this space for a live review

 To wrap up, here is Alestorm's music video for their single Drink (linked here for mobile users)