Album Review (Everything Will Be Alright In The End - Weezer)

Everything Will Be Aright In The End - Weezer

 Everything Will Be Alright In The End is possibly the longest album name on .DTF to date and is also the name of Weezer's ninth studio album. Weezer are an alternative rock band from the US that have been making music together since 1992. Weezer blend pop punk with rock to create a far superior breed of pop punk that has invaded the music scene in recent date. EWBAITE was released on the seventh of October through Republic Records.

 Notable Tracks

 Ain't Got Nobody - Ain't got nobody starts off the album with an eeiry dialogue sample which is swiftly followed by an incredibly loud bass guitar roar. The main melody builds throughout the track until it climaxes into its credibly catchy groove. The guitar work on this track help propel the tracks atmosphere as they wander from the beaten track just to show off. Surprisingly, Ain't Got Nobody has not been released as a single.

 Back to the Shack - Back to the Shack was the first single to be released from the album. Back to the Shack also starts with a bass intro but there is where the similarities end. Back to the Shack starts with an alternating vocal and bass section that evolves into the main melody of the song. Back to the Shack's vocals appear stripped back giving a simple and clean feel to the song.

 I've Had It Up To Here - I've Had It Up To Here begins with a stop start guitar riff that is built upon with the vocals throughout the track. This track is a return to a more familiar Weezer sound with far vocals and wandering guitars that feel surprisingly welcome despite the genre's constraints 

 Cleopatra - Cleopatra (unlike the same suggests) has a more country intro which soon swaps it's acoustic instruments for more electric ones. Cleopatra has a simple and upbeat tone that is hard not to smile at. Cleopatra's lyrics are obscure to say the least with the five times tables cropping up on more than one occasion.

 To wrap up, EWBAITE is a solid album and isn't bad by any stretch but generally lacks that killer track that more recent Weezer albums have relied on. EWBAITE definitely showcases some of Weezer's most adventurous guitar work to date. Give the album a listen, you might enjoy it.

 To finish, here is the music video for the first single from the album, Back to the Shack (video linked here for mobile users)

King 810 @ 02 Islington 26/09/14

King 810 @ 02 Islington 26/09/14

 King 810 (band review here) are a relatively new band on the block and have consequentially have been bombarded with publicity. This tour, the first part of the Download Freezes Over string of tours, was the first time king 810 had played in the UK thus making the date at Islington the first London date. King 810 were accompanied by London based doom metal group Hang the Bastard and Welsh rap band Astroid Boys (correct spelling trust me)

 First up were Astroid Boys, well at least i think so. While at the bar, the ambient sound track stops suddenly for a louder sound to take its place, with zero introduction, a man and his Mac start pumping out sounds in what I guess was a warm up DJ set from the band. After this the full band came on stage and introduced themselves and generally had a good time. Although not my musical preference, Astroid Boys' presence on stage was fun with maximum crowd interaction and general banter with band members and members of the crowd. Look out for their latest track, lovingly named by the crowd, Fuck her Right in the Pussy or for radio listeners F her Right in the P-juice.

 After Astroid Boys came Hang the Bastard which I knew nothing about before they came on apart from the fact that they were going to be heavy as hell with a name like their's. Hang the Bastard waltz on stage played their set and left; albeit a good set with some crazy riffs. Hang the Bastard's lack of interaction baffled me as i was unsure if it was part of their persona or mystique but looking back through previous live footage (journalistic research and all that) they have engaged or at least spoke with the audience on more than one occasion. Other than that down, Hang the Bastard's set was great and was quite refreshing or at least palate cleansing from the rap endure previously.
  

 Hang the Bastard left the stage and the King 810 gang prepped the stage with "Caution" tape (like that found in the War Outside video). After a short interval the band came on and made every mistake Hang the Bastard made, absolutely zero crowd interaction. That being said, the pit started without instruction and did get quite rowdy quite fast. King made sure to play a wide variety of tracks from their debut with both electric and acoustic tracks making an appearance. During the acoustic tracks, David Gunn sat down by the side of the stage making his hidden from anyone more than five feet away. In the spirit on variety, Gunn also performed a live version of an Anatomy track which, although a task to remember, felt out of place.

 To sum the night up in one word, that word would be underwhelming. I was expecting a great vibe from the band and a lot of energy transfer but really all i got was a live album performance.

 [Side Note] - I have noticed my camera's photo quality is deteriorating fast so expect better quality live photos in these posts before the end of the year.

Band Review (Feed The Rhino)

Feed The Rhino

Feed The Rhino (From L to R) Sam Colley, James Colley, Lee Tobin, Oz Craggs, Chris Kybert

 Feed The Rhino are a hardcore five piece from Kent with punk rock influences. Since their formation, feed the rhino have released three studio albums as well as taken part in a compilation album. Feed The Rhino's style fuses intense harsh vocals with complimentary clean vocals, together this creates a very atmospheric tone. Feed The Rhino are currently signed with Century Media Records.

 Feed The Rhino's unmistakable vocals are delivered by Lee Tobin, guitars are manned by Sam and James Colley alongside Oz Craggs on the bass. Keeping it coherent is Chris Kybert on the drums.

 Since their formation, Feed The Rhino have gone from strength to strength due to the combined effects of amazing live reviews (Watch for a live review coming here soon) and album reviews of an equal caliber. Feed The Rhino have seen a lot of exposure due to consistent support slots for well known bands and due to their signing with large record label Century Media.

 Feed The Rhino have announced a tour this year that will last throughout October with support bands being Baby Godzilla (Band Review here) and Night Verses. The tour is to promote the band's latest album; The Sorrow and the Sound.

 Feed The Rhino are everywhere on the net but here are some handy links to know: Facebook here, Twitter here, Official site here and a Youtube channel here.

 To wrap up, here is Feed The Rhino's latest music video for the song Deny and Offend from their latest album, The Sorrow and the Sound (video linked here for mobile users)

 

Album Review (Language - The Contortionist)

Language - The Contortionist

 Language is the third studio album from The Contortionist but the first album to feature Michael Lessard (of Last Chance to Reason) as the vocalist. The Contortionist are a progressive metal band from Indianapolis, The Contortionist formed in '07 and have swiftly found recognition for their atmospheric and experimental sound. The Contortionist are currently signed with E1 records.

 Notable Tracks

 Language I: Intuition - Intuition is the first single released from the album and with good reason. Intuition opens with a soft guitar riff that builds steadily with added percussion and backing rhythm. At the 1:15 mark the track explodes into its full potential with vocals and more percussion. The vocal style used utilizes layers with a harsh background layer with a more melodic layer on top. Towards the 4:15 the track gets a lot heavier with a slow breakdown and harder riff, the tempo slowly increases from this point until the track ends and leads into the second part.

 Language II: Conspire - Conspire is the second and heavier part of the Language two-piece. Conspire opens with some heavily palm muted notes and slowly builds into a deep melody. Conspire features a more prominent harsh vocal style throughout and overall just heavier approach towards the start. At the 2:45 mark the vocals mellow into a more melodic style that compliment the instrumentals well. Towards the end of the track the layers build and build until they dissipate for the finish.    

 Integration - Unlike the mathematical function, Integration is far from boring and tedious. Integration starts with a funky keyboard intro with a slowly build bass line. Guitars are added to the mix. At the minute mark the vocals kick in with a melodic tone, the vocals on this track are echoed at times adding immensely to the atmosphere of the track. The bass line from the intro continues throughout the track while the other instrumentals evolve around in. Towards 3:45 the track get a lot heavier with the volume being thrown up to max and the vocals getting a load more deeper. 

 Primordial Sound - Primordial Sound is the second single from the album. Primordial Sounds starts immediately vocals that soon stop and make way for a purely dynamic instrumental. After a minute vocals begin again  for a short time before they stop again. The main riff for the track sounds more like a scale with an inquisitive tone to it. Towards 3:15 the vocals take a more death metal style that works surprisingly well, the vocals soon return back to a more melodic tone. Leading up to the finish of the track, it take a more sci-fi sound with cosmic like sounds until it slowly fades out.

 Arise - Arise starts more like a rock take with vocals and audible lyrics, the main riff for this track is complex and sounds awesome and is impossible not to close your eyes to it for the first time it enters your ears. Arise takes an overall faster pace than previous tracks that adds to the diversity on the album. At 2:30 the track gets heavier with the harsher vocals on the album yet and a schizophrenic guitar riff to match. Arise is a relatively short track compared to the runtimes of other tracks on the album but still manages to squeeze in the familiar Contortionist complexity

 After more than a few playthroughs, it is clear to see the Language is a contender for best album of the year. Language is immensely atmospheric but each track is unique enough to be told apart. Each track is incredibly detailed, so much so that every listen through a notice a different instrument in the mix. If you are thinking about buying this album then don't hesitate in doing so because this album is truly awesome or for more dramatic effect, inspires awe.

 To round off, here is the video for the first single from the album, Language I: Intuition (video linked here for mobile users)

   

Classic Album Retrospect (Body Count - Body Count)

Body Count - Body Count

 Body Count was the first album from Ice T's thrash metal band of the same name. Originally released in 1992, Body Count was the center of controversy due to the track Cop Killer and was subsequently removed in later releases. The album focuses on social issues but primarily the issue of police brutality. At release, Body Count received mixed reviews and peaked at #26 in the Billboard 200. Body Count was released through Warner Bros. records.

 Notable Tracks

 Body Count - Body Count starts off with a stripped down acoustic guitar with some spoken word about the depiction of the police in other media. After a minute the track explodes into a its full potential with alternating vocal and instruments sections. This track stands out because of its almost live tone; Ice T addresses other band members directly making for a fun listening experience.

 Voodoo - Voodoo is featured towards the halfway mark of the album and depicts the (probably fictional) story of Ice T's encounter with a witch doctor in New Orleans. The track feature two main riffs that alternate between verses adding to the story telling element immensely. The story in Voodoo is continued in Body Counts latest album on the track Black Voodoo Sex.

 The Winner Loses - The Winner Loses is a more serious track compared to the others on the album. The Winner Loses is a ballad about a friend that abuse drugs and his eventual demise. The Winner Loses feature two distinct riffs with different styles adding to the progression and narrative of the track. The Winner Loses also features backing vocals that compliment Ice T well and adds a more somber tone to the track.

 There Goes The Neighborhood - There Goes The Neighborhood was the only single released from the album and represents Body Count's invasion of the rock scene. The track fights back at stereotyping in the music scene. TGTN features an awesome drum solo that showcases Body Count's skill.

 Cop Killer - Cop Killer was the source of the album controversy at release mainly due to its themes. Cop Killer comes after a thirty second intro where Ice T says he shoots pigs in a parking lot. The actual record is quite good, The track feature samples of firing guns to add to the overall theme of the track as well as the use of named examples such as Rodney King.

 After a couple of playthroughs, Body Count is still quite a solid album and if anything quite avant-garde of the year it was released. In recent years, rap and metal have had quite the relationship and are sprouting love children left, right and center. With the inclusion of intermissions throughout the album, the album remains refreshing and immersive. (check out our review of Body Count's latest album Manslaughter here)

 To finish off, here is the video (that features the censored lyric) that accompanied the single from the album, There Goes The Neighborhood (Video linked here for mobile users)

Band Review (Devastator)

Devastator

Devastator (From TL to BR) Matthew Nekic, Adrian Tate, Alessandro Sabato, Matthew Youkhana, Andrew Stevens  

 Devastator (formerly under the name Adversary) are a rap djent metal band from Sydney, Australia. Devastator are a relatively new band as they formed in 2013. Devastator play loud and intense djent infused metal with hard driven rap vocals and aim to bring this sound to the main stage. Currently Devastator have released three individual singles but no EP as yet. Devastator are unsigned but are promoted by BeheadingTheTraitor.

 Devastator's hard driven vocals are delievered by Matthew "AntiMatter" Youkhana with backing vocals by bass player Adrian Tate. Devastator's guitar work is supplied by Alessandro Sabato and Andrew Stevens and Devastator's smashing drums are from Matthew Nekic.

 Since the formation of the band, they have received little publicity possibly due to the lack of an EP. The band have released three singles to good reception. 

 Devastator are yet to tour because they are so new but if they do release any new information you can check these links. Facebook page is here, and merch page here. 

 To finish up here is the video for the first single released, Unconscious (video linked here for mobile users)

  

Beartooth @ The Borderline 16/09/14

Beartooth @ The Borderline 16/09/14

 Beartooth are a band formed by former vocalist of metalcore band Attack Attack!. Beartooth's debut album was released earlier this year to mostly good reviews. This tour was Beartooth's first appearance in Europe and this show was the first UK date and was sold out in a venue with a capacity of 300 max. Beartooth were supported by English hardcore band Dead Harts (Band Review here) and Metalcore group Climates.

 First band up were Climates. I had heard only one track this band had released and found it too melodic for my taste but nevertheless I was open minded. Climates had a good stage presence and engaged with the crowd well. The venue suited the band well as it was intimate and cozy. Climates had a good following are a definitely not a support band to turn your nose up at. 

 After a short interval Dead Harts were up. Notice that there is no photo for this one, I mosh a bit too had and lost my specs so I was nigh on blind for the rest of the night. Dead Harts open up with pure ferocity and got the crowd going immediately. Band members engaged with the crowd immensely with the member surfing and moshing on more than one occasion. Dead Harts performance felt more like a co headline than a support act. I would recommend seeing this band live, but take off your glasses!

 Beartooth rocked up onto the stage and instantaneously the crowd surged forward. Although not being a huge fan of Beartooth, I have to admit they put on a good show. Beartooth engaged with the crowd well by letting the crowd shout lyrics down the mic and more than encouraging the odd stage dive. Beartooth embraced the London vibe with open arms and the crowd loved it. With the like of the show they put on; I wouldn't be surprised if they return to play bigger venues.

 Overall, Beartooth and co. made for an enjoyable night with a good atmosphere and surprisingly cheap tickets and merch.

A view from the back of the venue

[Side Note] - It's been a while since one of these have been posted but prepare yourself for a surge of live reviews coming your way in the coming months.

Album Review (Doom Philosophy - Sorrows Path)

Doom Philosophy - Sorrows Path

 Sorrows Path are a doom metal band band from Greece. Sorrows Path formed back in '93 and have steadily released material throughout the 00s. Doom Philosophy is Sorrows Path's second full length album next to 2006's The Rough Path of Nihilism. Doom Philosophy was released through Iron Shield Records on the twelfth of September.

 Notable Tracks 

 Tragedy - Tragedy stats off the album well with a power metal spin on the doom genre. Tragedy features a solo performed by Edgar Rivera from Solitude Aeturnus. Tragedy has more of a power metal vibe as Tragedy's tempo is not slow and also lacking in a dark atmosphere.

 Everything Can Change - Eveything Can Change is the second track to feature a guest musician, this time Snowy Shaw from King Diamond and Merciful Fate sings a duet with Sorrows Path vocalist Angelos Loannidis. Everything Can Change makes up for the lack of atmosphere in Tragedy with a slower tempo and layered vocals.

 The Venus and the Moon - The Venus and the Moon take a more power metal approach than previous tracks. TVATM feature echoed vocals in a high pitch blending both power and doom metal elements in equal parts. TVATM finishes how it starts with little progression

 Epoasis - Epoasis is featured lower down the track listing but has a music video to boot. Epoasis is possibly the star track of the album featuring multiple vocal styles and a catchy riff. Vocals and instrumentals are mixed so that they are on the same level giving the track character and a nostalgic sound. Epoasis progresses extremely well creating a journey inside the music.

 In conclusion, Doom Philosophy is best described as a game of Russian Roulette with one in the chamber; you expect to be blown away but more times than not you are left with just a click. The analogical bullet in this case is Epoasis, Epoasis carries the rest of the album's weight and saves the album from being unlistenable. If you were thinking about buying this album, I would reccomend buying Epoasis as a single and leaving it at that.

 To wrap up, here is the music video for the savior track, Epoasis (video linked here for mobile users)

Classic Album Retrospect (Peace Sells... But Who's Buying - Megadeth)

Peace Sells... But Who's Buying? - Megadeth

 Peace Sells... is the second is the second studio album from classic thrash/heavy metal band Megadeth. The album was originally released in '86 but has since seen multiple re-releases and re-masterings by different producers. The album sold reasonably well and consequently has received a platinum rating in both the US and Canada and a silver rating in the UK. At release the album was met with average reviews with the average score received a three out of five.

 Does peace still sell, lets find out.

 Notable Tracks

 Wake Up Dead - Wake up Dead is the first track from the album but is definitely not a throwaway track. Wake Up Dead progresses extremely well with its short runtime. Wake Up Dead features a good balance of solos and vocals to create a strong first track to start.

 Peace Sells - Peace Sells is the title track of the album and was the second single from the album. Peace Sells features politically driven lyrics on top of a catchy as hell bassline. Peace Sells also evolves well as the vocal style changes as the song progresses from a spoken word to a hard driven aware thrash track. 

 Good Mourning / Black Friday - Good Mourning is the instrumental intro to Black Friday, Good Mourning is fast paced instrumental with a desert trek tone to it. Good Mourning leads into the track Black Friday which is equally as fast as the intro. Black Friday has a very distinct mix where vocals and instrumentals are on the same level making for a real thrash feel. 

 I Ain't Superstitious - I Ain't Superstitious is the penultimate track on the original track listing and takes a different tone entirely compared to the earlier tracks in the track list. I Ain't Superstitious was originally performed by Howlin' Wolf twenty years prior but still manages to keep the song alive by sounding very different to the original.

 In Conclusion, Peace Sells... is still a solid album, although most thrash bands from the period have died out or evolved into different genres; Megadeth still try to create a good album. Peace Sells is still the most relevant track on the listing with politically driven lyrics but other tracks from the album are still a joy to listen to.

 To finish, here is the music video for the second single from the album, Peace Sells (video linked here for mobile users)

Band Review (King 810)

King 810

King 810 (From L to R) Andrew Beal. Andrew Workman. David Gunn, Eugene Gill

 King 810 (simply just KING) are a nu metal four man band from Flint, Michigan. King 810 have been around since the late 00s and have rocketed into the rocket scene with their signing to Roadrunner records. King 810 currently have an EP and an album to their name, both met with good reviews. King 810's sound is dark and foreboding but still retains meaning and conviction.

 King 810's dark vocals are from David Gunn supported  by the heavy guitar work from Andrew Beal with Eugene Gill on bass. Andrew Workman keeps it in check on the drums

  Since their formation, King 810 have risen to recognition exponentially through the media's portrayal of them. King 810 bring the connotation of violence with stories of baseball bats, lighter fluid and assault. Any press is good press and since King 810 secured a spot on 2014's Download festival lineup while not even having released their debut album.

 King 810 seem to be everywhere at the moment and are touring extensively, first King 810 will complete their portion of the Download freezes over tour (watch this space for a live review) and then they play a few date in mainland Europe and then Knotfest and then  they support Slipknot alongside Korn for the Prepare For Hell tour in the US. For all the dates and info on upcoming gigs check this link here.

 King 810 are all over the internet but here are the most important places you need to know. Their Facebook page is here, twitter account here and an official website here. 

 To finish up, here is the music video for King 810's latest single, Fat Around the Heart. (video linked here for mobile users)

Album Review (Nyemba - Skinflint)

Nyemba - Skinflint

 Skinflint are quite the obscure band; hailing from Botswana, Skinflint are a three piece metal outfit offering a classic style of metal. The band has been around since 2006  and in that time they have released four full length albums including two singles with music videos to match. Nyemba is an independent release and was released on the sixth of September.

Notable Tracks

 Veya - Veya is the first track from the album an showcases each instrument's style. Veya features an extremely high pitch solo from the lead guitar and throughout the drums and bass line shine through. Veya has quite a nostalgic feel to it (and most of the track from the album too) that can be compared to early maiden material, a major compliment.

 Okove - Okove starts with a slower and more somber tone but builds with an alternating bass and lead intro. Okove also features plenty of solo guitar sections that help to progress the song well, defining a clear start and finish. 

 Abiku - Abiku takes what Okove did well and does is just as well. Abiku also starts with a complimenting bass and lead alternating intro that works its way into the main riff well. Being the shortest track on the album, Abiku surprisingly still manages to conjure up the time to feature a solid instrumental section.

 Sinkinda - Sinkinda begins with an almost acoustic intro that makes for a calm resting place from the rest of the album. The intro builds well with a sweet lead guitar riff in the background. The intro soon dissipates and becomes more electric with a jumpy bass line. Sinkinda features very little vocal work and a lot of tight guitar and bass work which adds to the variety of the album.

 Nyemba isn't a bad album by any stretch and features some really tight riffs and that use the bass and drums well but all in all Nyemba offers nothing new. Nyemba's song's have the tendency to blend into one due to similar vocal styles throughout each track. To summarize, Nyemba is worth a listen albeit just for the guitar work and for bragging rights that you have heard metal from Botswana. 

Classic Album Retrospect (The Black Album - Metallica)

The Black Album - Metallica

 The Black album (or sometimes known as just simply Metallica) is the fifth studio album from metal legends Metallica. The Black Album was released in the August of '91 and reached number one in eight weekly charts - including the UK and the US. The Black Album is the best selling Metallica album to date and is listed as one of the greatest albums of all time by Rolling Stone. The Black Album sees a change from the harsher thrash sound to a more metal/hard rock sound. The Black Album has sold over 30 million copies worldwide and is certified platinum or above in sixteen countries including a fourteen times Platinum rating in the US.

 But all those accolades were over twenty years ago. The true test is if thee album stands up today. 

Notable Tracks

 Enter Sandman - Enter Sandman starts off the record with a bang. Enter Sandman starts off with that unforgettable riff that builds for a whole minute. Enter Sandman features some fine guitar solos between verses as well as different vocal styles. Enter Sandman progresses well due to changes in tone. The track ends with a slow fade out with the repeated lyric "we're off to never never land" in a distorted voice that adds to the track personality immensely.

 Sad But True - Sad But True takes a heavier approach than the previous with a down tuned riff that lasts the whole track. Sad But True makes good use of silence throughout  the track adding to the suspense and tone of the track. The most important part of this track is the drums, the drums take a top spot in this track for the way they shine through the guitars. Sad But True was used as the backing track for Kid Rock's track American Badass.

 The Unforgiven - The Unforgiven starts with a stripped down acoustic intro that is build upon with hard hitting drums and electric guitars. The track soon becomes fully electric and only returns to the acoustic style for the bridges and solos. The Unforgiven features the most powerful solos on the record switching between electric and acoustic styles. In later albums, The Unforgiven has seen a second and third part.

 Wherever I May Roam - Wherever I May Roam starts with the most memorable intro with an almost Arabian feel. Wherever I May Roam  features plenty of high pitched guitars throughout making the track a good medium between hard rock and metal. 

 Nothing Else Matters - Nothing Else Matters also starts with some beautiful acoustic guitar work that works its way into the backing throughout the track. Nothing Else Mattters is a stripped down ballad that offers some beautiful guitar work that appeals to both metal and hard rock fans. 

 After a few spins the conclusion is clear, The Black Album is still quite relevant. The album offers enough variety to stay fresh but is still fluid and fluent. The only point that reveals the album's age is the average runtime of each track at about five minutes. Other than this, the album is still fresh and I would and still do happily listen to this album on the regular.

 To conclude, here is the music video for the first single from the album, Enter Sandman (video linked here for mobile users)

 

 

Band Review (Twelve Foot Ninja)

Twelve Foot Ninja

Twelve Foot Ninja (From L to R) Rohan Hayes, Shane Russell, Kin Etik, Damon McKinnon, Steve Mackay

 Twelve Foot Ninja are an alternative five piece from Melbourne, Australia. Twelve Foot Ninja formed in '08 and have since gathered a dedicated fan base. The band has released one studio album and two EPs and are currently signed with Volkanik Records. Twelve Foot Ninja perform a mix of heavy riff driven rock to reggae funk influenced rock tracks. 

 Kin provides vocals for Twelve Foot Ninja with guitarists Steve and Rohan with bassist Damon and most imortantly Shane on the drums.

 Since their formation in '08, Twelve Foot Ninja have risen to fame in Australia and are breaking through in Europe and the US. For their debut album, a track and matching comic was released on the twelve week run up to the release, this was known as "PROJECT 12", this added a lot of intrigue into the bands personality and style which undoubtedly drew in curiosity from listeners. Twelve Foot Ninja are known for their extensive fan interaction and appreciation.

 Twelve Foot Ninja are not touring at present as they have just finished a spring time tour in the US. On the other hand, Twelve Foot Ninja are in the process of writing a new album for a release next year (just speculation) so that could entail a tour. 

 Twelve Foot Ninja can be found in a variety of places on the Internet but here are the links that you need to know. Facebook page is here, twitter page here, youtube channel here and finally an official site here.

 To close, here is the director's cut music video for their latest single, Ain't That a Bitch. This video showcases Twelve Foot Ninja's skill at music video creation (Video linked here for mobile users)

Album Review (Subculture EP - The One Hundred)

Subculture EP - The One Hundred

 Subculture EP is the debut release from rap/metalcore/grime/electronica quartet The One Hundred. The One Hundred have been playing gigs and teasing this release extensively for some time as well as an Iggy Azalea cover released this month. We at DotDownTheFront released a Band Review for these guys earlier this month so check that out here for more info and links to their social media. Subculture EP was released through UNFD.

Notable Tracks

 Breed - Breed starts with a bass heavy metalcore intro and the electronic elements are added to the backing. Breed also features double layer vocals that give the track a complex and schizo tone. Instruments and electronics share the limelight as instruments and electronics alternate adding to the ferocity of the track. Live, this song will kick arse.

 Kingsmen - Opening with some electronica straight from sci-fi show, Kingsmen builds from the start adding each genre subtly until it explodes into one. Kingsmen features harsh primary vocals and harmonized vocals in the backing that compliment each other well. Kingsmen is complex and shows the band's potential and paths for future releases. 

 Unleashed - Opening as if it was this summers dance anthem. Unleashed unleashes its energy with distorted clean and harsh vocals and an infectious rhythm. Unleashed progresses well with a clear start and finish. Unleashed is the perfect track for the tent at a festival. 

 Tale of Two Cities - Tale of Two Cities is a no holds barred track and jumps straight into the raw energy. Tale of Two Cities is the rap heaviest track from the EP but still manages to fit a small instrumental in. The track's chorus is by far the catchiest as the instruments drop for a group vocal on the hook.  

 Downfall - The final track from the EP will definitely leave a bruise. Downfall starts with a low pitched electronic section and builds to fast and catchy chorus that will literally leave you saying "downfall" out load for hours. Towards the end of the track, the electronica builds for an awesome and abrupt ending that adds ti the attitude of the EP.

 Buy this EP now! Subculture EP offers a taste of everything with each track having a clear and defined purpose and genre influence. The One Hundred take the best bit from each alternative genre and blends it together to create what can only be described as superior. At £3.99 for six tracks, this is a steal for music of this quality. Without a doubt 2014/2015 will be the year for The One Hundred. (Watch this space for a live review coming winter time) 

 To wrap things up, here is the music video for The One Hundred's cover of Iggy Azalea's Black Widow (video linked here for mobile users)

  

Classic Album Retrospect (Dirt - Alice in Chains)

Dirt - Alice in Chains

 Dirt was the second studio album released by grunge band Alice in Chains. Dirt was originally released in 1992 and peaked at #6 on the Billboard 200. The album has an heavy emotional theme, focusing on subjects like drugs, war and depression, critics and fans liked this and the album has sold over five million copies thus making it four times platinum certified. Dirt was the last album to feature the original lineup (Staley, Cantrell, Starr and Kinney) as Starr would be outed for drug abuse in 1993. Dirt is the album that defines the band's sound.

 But all that good stuff was nigh on twenty years ago, does the album still hold up today? Lets give it a spin and find out.

Notable Tracks

 Them Bones - Them Bones is the first track and second single from the record and features the most recognisable vocal style from the album. Them Bones see vocalist Staley distorted effects on a scream that is truly unique to Alice in Chains. Them Bones has a slow and low guitar riff that builds during the choruses. Them Bones sets the tone for the rest of the album.   

 Dam That River - Dam That River directly follows Them Bones on the track list but takes a very different approach. Dam That River is faster and has a more hard rock tone. The track features a short solo near the two minute mark which is uncommon on most grunge tracks. 

 Rooster - Rooster is featured at the halfway mark of the album and reverts back to a slow, sombre tone. With a deep bass line and longed vocals, Rooster is truly a grungy track. At a massive 6:14, Rooster does all it can in its power to stay fresh with ornamented vocals and guitar flairs throughout. Rooster was released as a single in the march of '93.

 Down in a Hole - Normally these bullet lists are in track list order but Down in a Hole likes to jump about on every re-release so it is here in twelfth. Down in a Hole starts off with a peaceful humming while the guitar stir into life. Down in a Hole's lyrics focus on addiction and relationships with drugs making for a deep and meaningful track. 

 Would? - Would? is the final track on the record but was the first single released. Would? starts like a nu metal track but soon blends into a ominous riff. Would? also features a short solo near the two minute mark which adds to the personality of the track. Would?'s lyrics focus on the death of Andrew Wood (Leader singer of alternative rock band Mother Love Bone) and other musicians who have died ass a result of drugs. (brutally ironic?) 

 After a day of listening and re-listening, Dirt has aged well but is still audibly old as most grunge has died out on the music scene. Tracks like Rooster and Down in a Hole have aged the most solely due to their length but are still enjoyable to listen to, while tracks like Would? and Them Bones still hold up well as they are shorter and to the point with a lot of accessibility. Alice in Chains are still around today, albeit with a different vocalist, and appeared at this year's Sonisphere festival and last year's Download festival.

 To wrap up, here is the music video for Would, released on June 7th 1992 (video linked here for mobile users)

     

Band Review (Devil You Know)

Devil You Know

Devil You Know (From L to R) Francesco Artusato, Ryan Wombacher, Roy Lev-ari, Howard Jones, John Sankey

 Devil You Know are a metal 5 man band from Los Angeles. Devil You Know formed in 2012 and have rocketed into the music scene since. Currently, Devil You Know have released one studio album and are signed to Nuclear Blast records. Devil You Know features heavy riffs mixed with Howard Jones' clean and scream vocals to make for an unforgettable sound.

 Howard Jones provides his unique vocals backed by Francesco Artusato and Roy Lav-ari on guitars and Ryan Wombacher on bass and holding it together is John Sankey on drums.

 Since their formation in 2012, Devil You Know have released one studio album: The Beauty of Destruction was released in April this year and was met with rave review. Alongside the rave reviews, Devil You Know were awarded the Best New Band award at this year's Golden Gods Awards. 

 Devil You Know are currently touring with Italian metal band Lacuna Coil until October where they take a break and tour with Machine Head from November until December. To check date for gig click the link here.

 Devil You Know are surprisingly limited on what you can find on the web but I did you a solid and found you all the links you need. Facebook is here, Twitter is here and their official youtube channel is here. Go check them out and I promise you'll thank me for it.

 To Wrap up, here is the music video for their hit single, Seven Years Alone taken from their album The Beauty of Destruction. (Video linked here for mobile users)

Album Review (Maximum Overload - DragonForce)

Maximum Overload - DragonForce

 Maximum Overload is the Sixth studio album from British power metal outfit DragonForce. DragonForce formed in 1999 and have since released six studio albums and a live album. DragonForce produce a unique flavour of power metal that relies on electronic sounds and breakneck speeds. Maximum Overload was released through earMUSIC in Europe and Metal Blade in the US.

Notable Tracks

 The Game - The Game is the opening track for Maximum Overload and it opens the record in style. The Game is the fastest track performed by the band at a staggering 240 bpm. Alongside this feat, the track also features additional vocals from Trivium's vocalist Matt Heafy (who also provided vocals for last weeks album review). The Game was the first single to be released from the album and has been met with flawless reviews from both critics and fans alike.

 Symphony of the Night - Symphony of the Night sees DragonForce pay homage to their influences in the video game realm. Symphony of the Night could be compared to the Castlevania series of game through the songs lyrics and guitar sounds. Symphony of the Night progresses well to keep the listener's head nodding and full of euphoria. Symphony of the Night features the longest guitar solos on the album and is impossible not to imitate on your air guitar     

 The Sun is Dead - The Sun is Dead is featured further down the tracklist but is still an experience to listen to. The Sun is Dead is more classic DragonForce with the main focus being on the instruments and not the vocals. Marc Hudson's vocals are emphasized with backing vocals from a choir; giving the song an epic vibe to it. The Sun is Dead is the longest track from the album standing at 6:35.

 Defenders - Defenders follows The Sun is Dead on the tracklist and keeps it's vibe going. Defenders was the second single to be released from the album and also features additional vocals from Matt Heafy. Defenders has an unusually catchy chorus but the song comes into its own at the 3 minute mark where the instruments and stripped back to the bare bones: this is swiftly balance out with a technically superb guitar flair.

 Ring of Fire - Ring of Fire is the third single to be released from the album and is a cover of the classic from Johnny Cash. DragonForce re-imagine the song the only way they can; with high pitched dual guitars. DragonForce's take of the classic is a minute longer than the original to make room for a solo (that fits in surprisingly well)

 To sum it all up, Maximum Overload is an epic album in all senses of the word. Long solos and high pitched vocals the whole album an epic vibe and make the listener want to ride off into the sunset on a unicorn with a double head axe. With ten tracks with an average run-length of five minutes; the long solos are dedicated to certain tracks while others are aimed at newer audiences. Everything about this album is quick apart from your attention span listening to it. 

 To finish off, here is the video for the first single released from the album, The Game (video linked here for mobile users)